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CELIA BENNETT | MICHAEL BENNETT
New Paintings
10 July 2 August 2008
As one of our occasional series of co-curated exhibitions the Eagle
Gallery is delighted to present New Paintings by Celia Bennett and Michael
Bennett, in association with James Windsor.
The exhibition draws together two individual bodies of work a
group of portraits and two large-scale installations of multiple canvases,
which repeat and modulate a single image of a tree.
Celia Bennetts small scale, delicately painted portraits present
faces caught on the cusp of adolescence, their outward gaze directed
towards the viewer. Some are invested with the poise and light of Renaissance
painting or echo classical idealisations of an ageless beauty but these
sitters are also entirely contemporary in their awareness of the scrutiny
upon them. Windsor writes, the artist gives her characters grace,
grace to be themselves and put us on the spot as we search and seek
and simply take pleasure in the glance
Michael Bennetts monumental Sanctuary, presents 24 images of a
leafless tree trunk that form an encompassing grid, which moves between
figurative representation and a more abstract play of form and painted
texture.
In his catalogue text for Sanctuary and Solitude: The Paintings of Michael
Bennett Christopher Bucklow explores how the individual images act as
metaphorical forms, which stand for both the artist and the viewer.
As a whole the grid becomes a more organic and fluctuating entity: For
the experience of comparison between the individual paintings produces
a heightened awareness of the emotional qualities of each. This is not
unlike the experience of music, each note or chord taking its precise
feel from its neighbours. The process of painting is fast, with
alterations made across the individual images in a headlong cascade
of change and the play of light and colour in the unsubstantial
mists and vapours around the trees produces a sense of flux - a consciousness
of the flow of time.
Connections occur in the conjunctions of these two artists works
in the after readings of their images. Michael Bennetts
forests of paintings with their emblematic and solitary trees, reflect
the topography of the artists mind and evoke a pressing sense
of human transience. Celia Bennetts clear-eyed youths, both archetypal
and individual, seem on the verge of entering this expansive landscape
of consciousness. Little Red Riding Hood goes into the woods
For further information, catalogue or images please contact Emma Hill
or Bridget Symonds on + 44 (0) 207 833 2674 or email: info@emmahilleagle.com
Gallery opening hours:
Wed Fri 11 6pm, Sat 11 4pm
Closed during August
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