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THEMES AND VARIATIONS
Farrers paintings have been described by the architectural critic Andrew Mead as alluding to the Deconstructionist designs of Daniel Libeskind and Peter Eisenman with their abruptly-angled walls, their folded planes, their cuts and disrupted grids. The work has moved progressively from experiments with illusory space within a flat picture plane towards a way of painting which combines a painted surface with shaped relief supports. A major new work Crossing Point 2004 (over 2m in length) evolved from an initially simple configuration of two intersecting rectangles but the shapes have been transmuted into an enormously complex arrangement of spectral spaces and transparent layers. Ian Tyson is one of Britains foremost practioners of the livre
dartiste and has exhibited his work internationally for over thirty
years. His books The exhibition revisits elements of a previous collaboration between the two artists, entitled Partworks which resulted in a series of artists books and prints in a range of media from etching, letterpress and collage to screen print and four colour litho. Books from the Partworks collaboration have recently been shown in major exhibitions at the Gutenberg Museum, Mainz and the University of California at San Diego. Catalogues available: Julia Farrer: Towers and Bridges 2002, Eagle Gallery (text Andrew Mead)
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